Today (Wed 26th March, 2014) Trevor is presenting some of our recent findings on the effect of distortion on perceived quality in music, as part of the Institute of Acoustics’ Sound Recording Techniques event.
Our talk is titled “How distortion affects the perceived quality of music: Psychoacoustic experiments” and slides for it can be found here (PowerPoint slides in .pdf format).
Good news! Today sees the launch of the project’s first ever app – The Good Recorder. Absolutely free and available now via the iTunes store, or click here.
What is The Good Recorder?
The Good Recorder is a sound recording app (currently only for iOS 7 devices) designed to help users achieve high quality audio recordings by monitoring for common recording errors and providing feedback about them. Currently the app incorporates findings and algorithms from our previous work with wind noise. The plan is to further develop the app with auto-detection of handling noise and distortion as our research in these areas progresses. Continue reading
In a recent blog post I discussed the possibility of using a proxy measure for quality. Rather than ask about quality directly, could we find another metric in (ideally free and accessible) existing data about user behaviour that we could rely on to predict quality?
We decided to investigate the idea empirically using samples and data from Freesound.org. Continue reading
Audio quality research often involves manipulating a known facet of a recording (such as distortion level, bit rate, and so on) and seeing what effect it has on people’s ratings of quality. Unfortunately however, the simple act of requesting a rating of quality can change the way people would normally listen to the recording. Recently we’ve been considering alternative ways of approaching this problem.
If, for instance, we could find another measure that predicted quality reasonably enough we might not have to ask directly for people’s ratings. And if this implicit measure of quality could be found quickly and freely, in data that already exists, we might have any number of new and exciting avenues to pursue.
In an earlier blog post we presented some findings from our web survey on the differences between iPhones and other brands of mobile phone. In this post we look beyond mobiles and give a brief overview of some of the other findings from the survey. Continue reading
Early on in the project we put a survey on the web to ask questions about where and how people make audio recordings, and what they make recordings of. We also wanted to know what issues people reported as having the biggest impact on audio quality in their recordings (you can still take part in the survey by clicking here, it only takes a couple of minutes). Three months on, over 150 people have taken part and we have begun to analyse the data. One of many interesting trends to emerge is a series of differences between iPhones and other brands of mobile. Continue reading
Hello and welcome to the project page for the university of Salford project, ‘The Good Recording Project’. Over the next three years, a team of researchers at Salford, Acoustic Research Centre, will be investigating the effect that common recording mistakes have the perception of audio quality in recordings. We are particularly interested in user generated content. YouTube is a huge phenomenon where many hours of footage are uploaded every minute. However the quality of footage varies greatly. Professional generators of content are not immune to these recording mistakes either. Therefore we plan to investigate the effect that these mistakes have on the perception of the audio quality. Continue reading